Voices Linger: Texas Female Printmakers

Below the Cliffs, c. 1945

Constance Forsyth

Below the Cliffs, c. 1945

etching

12.50 x 9.25 in

Spirit Cloud, c. 1950

Constance Forsyth

Spirit Cloud, c. 1950

etching, aquatint on paper

15.50 x 10 in

Louisiana Mill, 1923

Anna Keener

Louisiana Mill, 1923

Linoleum cut on paper

5.25 x 8.25 in

Oxen and Carts, c. 1920

Anna Keener

Oxen and Carts, c. 1920

Linoleum cut on paper

5 x 8 in

Caves of the Mind, c. 1960

Barbara Lucile Maples

Caves of the Mind, c. 1960

serigraph

17 x 23 in

Armadillo, c. 1940

Ethel Spears

Armadillo, c. 1940

etching and aquatint

3.50 x 4.50 in

Barns and Silos (1/2), 1962

Stella Sullivan - Prints

Barns and Silos (1/2), 1962

woodcut on rice paper

8.50 x 12 in

Autumn Patterns, 1949

Elizabeth Walmsley

Autumn Patterns, 1949

serigraph

11.50 x 15.50 in

Sunny Day, 1943

Elizabeth Walmsley

Sunny Day, 1943

lithograph

15.50 x 12.75 in

Dark Sky, c. 1945

Constance Forsyth

Dark Sky, c. 1945

lithograph

12 x 9 in

Waves, 1949

Constance Forsyth

Waves, 1949

intaglio print

5 x 7 in

Moonlight, 1920

Anna Keener

Moonlight, 1920

woodcut on paper

6 x 4 in

Sunset, c. 1920

Anna Keener

Sunset, c. 1920

woodcut on paper

8 x 6 in

Emphasis, 1961

Barbara Lucile Maples

Emphasis, 1961

serigraph

23 x 16 in

Inebriated Owl, c. 1940s

Ethel Spears

Inebriated Owl, c. 1940s

woodcut on rice paper

7 x 5 in

Owls, Owls, Owls (41/100), 1964

Stella Sullivan - Prints

Owls, Owls, Owls (41/100), 1964

linoleum cut on rice paper

6 x 8 in

Mexican Doorway (color), 1951

Elizabeth Walmsley

Mexican Doorway (color), 1951

serigraph

13 x 10 in

Taxco Sketch (Mexican Town), 1948

Elizabeth Walmsley

Taxco Sketch (Mexican Town), 1948

serigraph

15 x 19.75 in

Deep Valley Rocks, 1950

Constance Forsyth

Deep Valley Rocks, 1950

intaglio print

7 x 5 in

Barn on the Hill, 1922

Anna Keener

Barn on the Hill, 1922

woodcut on paper

6 x 8 in

Moonrise, c. 1920

Anna Keener

Moonrise, c. 1920

woodcut on paper

5 x 5 in

The Bluff Tops in Fall, 1919

Anna Keener

The Bluff Tops in Fall, 1919

woodcut on paper

8 x 6 in

High Meadow, 1945

Barbara Lucile Maples

High Meadow, 1945

lithograph

9 x 12 in

A Glimpse of Blue Serge Hill, Texas Women's University, 1928

Coreen Mary Spellman

A Glimpse of Blue Serge Hill, Texas Women's University, 1928

print serigraph

18.50 x 28.50 in

Skyride (2/12), 1955

Stella Sullivan - Prints

Skyride (2/12), 1955

drypoint etching on paper

15.25 x 8.25 in

Solitude, c. 1940

Elizabeth Walmsley

Solitude, c. 1940

serigraph

19 x 13.50 in

Texas Autumn, 1950

Elizabeth Walmsley

Texas Autumn, 1950

serigraph

12.50 x 9.25 in

Evening Cloud, 1962

Constance Forsyth

Evening Cloud, 1962

aquatint

10 x 14 in

Haystacks (Kansas), c. 1920

Anna Keener

Haystacks (Kansas), c. 1920

woodblock print

8 x 10 in

Night Reflections, c. 1950

Anna Keener

Night Reflections, c. 1950

lithograph

11 x 9 in

Under Water Forms, c. 1955

Anna Keener

Under Water Forms, c. 1955

collograph

14 x 6.50 in

The Shape of Red, 1962

Barbara Lucile Maples

The Shape of Red, 1962

serigraph

18.75 x 24 in

After the Easter Breakfast (1/8), 1956

Stella Sullivan - Prints

After the Easter Breakfast (1/8), 1956

woodcut on rice paper

16 x 20 in

The Table in the Library (1/8), 1955

Stella Sullivan - Prints

The Table in the Library (1/8), 1955

drypoint etching on paper

8 x 9 in

Still Life, c. 1945

Elizabeth Walmsley

Still Life, c. 1945

serigraph

18 x 12 in

The Townsend Plan, 1941

Elizabeth Walmsley

The Townsend Plan, 1941

lithograph

13 x 16 in

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Voices Linger: Texas Female Printmakers
https://cdn.artcld.com/img/w_400,h_400,c_fit/ygc8spamwdhmthxbkuol.jpg
Foltz Fine Art
Houston
TX
2019-09-14T00:00:00.0000000
2019-10-26T00:00:00.0000000